Aseem Chhabra rates the movies he's watched in 2023, and tells you where you can watch them!
Joginder Tuteja takes a look at ghostbusters, who have made quite the impression.
Catch it all on OTT this week.
Just as much as the magic of cinema, Chhello Show is about the imagination of a child and the typical Indian jugaad, observes Deepa Gahlot. Chhello Show
Make your Valentine's Day fun and fabulous with Sukanya Verma's OTT suggestions.
This week on OTT is only about three things -- entertainment, entertainment, entertainment.
'Everyone is watching Korean content.' 'Their films are a lot like our Indian films.' 'Their emotion, expressions, it's all very Indian.'
One of cricket's greatest players passed into the ages on Monday. Rediff.com salutes the legend.
Brahmastra is a work of star-struck ambition and high-octane energy whose razzle-dazzle hits many happy notes, observes Sukanya Verma.
Sukanya Verma leaves you spoilt for choice on OTT this week.
The wise Imp or the Mother Dragon? Take your pick!
I binged on various shows this year -- some for work, some for pleasure, few I couldn't spare time for, others I didn't have access to while some started out fabulously only to fizzle towards the end.
It's raining book-to-screen adaptations on OTT this week. Sukanya Verma offers you a selection.
As she turns 70 on September 18, Subhash K Jha picks five classic Shabana performances which you may have missed.
The god of wisdom and success, Ganesha has 108 names.Each name represents one aspect of the god.
Year after year, Malayalam cinema throws stunning surprises at us. 2022 was no exception.
From South Korean treats to internationally acclaimed series to home-grown delights, here are Sukanya Verma's favourite OTT shows of 2021.
These books are sure to send a chill down your spine!
This isn't a compilation of his best films, biggest blockbusters or important milestones but moments that swept Sukanya Verma off the floor, blew her heart into smithereens, regaled her with their sheer silliness, made her laugh till her sides hurt and look at phenke hue paise in disdain.
As entertainment continues to play out from the comfort of our living rooms, Sukanya Verma tells you where you can catch all the Globe winners on OTT.
For the Congress' revival, the eclipse of the Gandhis is absolutely necessary, asserts Virendra Kapoor.
Undeterred by the pandemic, Deep Narayan Nayak, a school teacher in a village in Bengal, changes countless lives for the better. Payal Singh Mohanka reports on this Extraordinary Indian.
An unlikely romance, a terrible tragedy, a search for a fairy tale, a witch in the making and a legally dead guy fighting to reclaim his life, Sukanya Verma recommends all this on OTT this week.
British Indian entrepreneur Poonam Gupta bought a painting depicting Virat Kohli's Indian Premier League journey over 10 years for a whopping 2,90,000 pounds (approx Rs 2.4 crore).
The Trump-Bahubali video, which ends with "USA and India United", went viral after Trump retweeted it.
Gowri Ramnarayan explores the world of Kalki Krishnamurthy whose magnificent novel Ponniyin Selvan has inspired Mani Ratnam's latest film PS I.
'Every religion is sacred and beautiful. There's no reason for people to hate each other because they practise different faiths.'
As much as we enjoy and write reams and reams about our amazement at the Kantara climax, 30 years on from now, will we remember these portions more fondly or the ones where Shiva is simply hanging out with his friends, mulls Rohit Sathish Nair.
'When I look at my journey in Bollywood, I realise that all of those things were small pieces towards a larger sort of plan, which just had to fall in place the way it did.'
Minions could have been a better edited, better directed and a much better written film, says Paloma Sharma.
The annual Mumbai Police calendar, shot by ace photographer Pravin Talan, keeps getting bigger and grander every passing year and is universally hailed as the most aspirational and inspiring police calendar in the country. The fourth edition of the Mumbai Police Calendar has stunning visuals and heartwarming emotions capturing the lives and duties of Mumbai cops through its sixteen pages. Each page of the calendar is filled with artistic interpretation of the act of policing filling you with awe and inspiration. Pravin Talan, the ace photographer behind the calendar, said it is a tribute not just to one of the finest police forces in the world, but also to the city itself.
No one deserves the title thespian more than Dilip Kumar, notes Shreekant Sambrani.
As cinemas remain shut and watching movies on big screen still a distant dream, OTT platforms are keeping us distracted from the pandemic with its steady supply of content.
What was the need to fictionalise a series on real events that were far more horrific because they were real? asks Vaihayasi Pande Daniel.
India must be aware that there is no question of the US fighting the Chinese on land. We have to fight our own battles, points out Virendra Kapoor.
Kabir Khan's '83 is an ode to a game changing chapter of Indian cricket history, pitch-perfect partnerships between openers and tail enders, knowing your mate's strengths as well as your own, seizing that one moment that defines the rest of your life, applauds Sukanya Verma.
The Sikhs, especially in Punjab, are already angry and frustrated, cautions Shekhar Gupta.
Pakistan would want to take full advantage of the situation to direct Taliban trained terrorists into the Kashmir Valley, alert Lieutenant General Ashok Joshi (retd) and Colonel Anil A Athale (retd).
Pellissery's women continue to express the beauty in our common humanity. And often, these women go so far into expressing our hopes, desires, absurdities and follies that they end up acting at variance with the ethical prescriptions of our age. And this, I believe, is precisely why they remain "invisible" to a whole bunch of viewers, says Sreehari Nair.
The episode of Lord Rama's pursuit to catch the golden deer was selected for the robotic application and a total of four leather puppets -- Lord Rama, Goddess Sitha, Lakshmana and the Deer -- were automated.
